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Art on the Edge: Performing Arts in the Pandemic
Census 2021
Election in 2022: A prologue for 2024
Environment Protection: Lessons not learnt, From Bhopal to Vishakhapatnam
Fierce, Free and Fluid: Gender and LGBTQ
Ibaarat-e-Imaaratan: Heritage Space in Delhi
Imbalance of Power: Federalism & Centre-state relation in India
Indigenous Insights: Tribal art and culture of western Indian states
Leaving Homeland: Refugee Settlement in New Delhi
No longer funny in India: Censorship against Satire
Protests in the nation of Gandhi
Regional cinema and politics: How one impacts the other
The Pandemic Postbox: A series of open letters
Unfree in free India: Citizenship under NRC in Assam
Who will Guard the Guards: Digital Gaze and Surveillance in the time of new IT rules
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Satire in India: A Controversy or Humour Infused Introspection?
March 30, 2024
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OTT Regulations: How Satire can be controlled on Digital Content
March 29, 2024
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History of Satire in India: Role in the Freedom Struggle and Since
March 23, 2024
No longer funny in India: Censorship against Satire
The Power of Laughter: How Satire Challenges Authority and Why It’s Under Attack in India
March 17, 2024
No longer funny in India: Censorship against Satire
Satire Beyond Borders : Exploring the Challenges faced by Indian Comedians in the Global Digital Space
March 13, 2024
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Meme Culture and Censorship: Investigating the Tug-of-War Between Memes, Satire, and Censorial Restrictions
March 10, 2024
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Posts by Swapnil Mittal
Swapnil Mittal
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๐ฆ๐๐ฎ๐ถ๐ฟ๐ถ๐ปฤซ (๐ข ๐ธ๐ฐ๐ฎ๐ข๐ฏ ๐ธ๐ฉ๐ฐ ๐ช๐ด ๐ง๐ณ๐ฆ๐ฆ ๐ฐ๐ณ ๐ฉ๐ข๐ด ๐ง๐ณ๐ฆ๐ฆ๐ฅ๐ฐ๐ฎ; ๐ธ๐ช๐ต๐ฉ๐ฐ๐ถ๐ต ๐ข๐ฏ๐บ ๐ค๐ฐ๐ฏ๐ต๐ณ๐ฐ๐ญ๐ญ๐ฆ๐ณ)
Swapnil Mittal
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November 16, 2020
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