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- All Art on the Edge: Performing Arts in the Pandemic Census 2021 Election in 2022: A prologue for 2024 Environment Protection: Lessons not learnt, From Bhopal to Vishakhapatnam Fierce, Free and Fluid: Gender and LGBTQ Ibaarat-e-Imaaratan: Heritage Space in Delhi Imbalance of Power: Federalism & Centre-state relation in India Indigenous Insights: Tribal art and culture of western Indian states Leaving Homeland: Refugee Settlement in New Delhi No longer funny in India: Censorship against Satire Protests in the nation of Gandhi Regional cinema and politics: How one impacts the other The Pandemic Postbox: A series of open letters Unfree in free India: Citizenship under NRC in Assam Who will Guard the Guards: Digital Gaze and Surveillance in the time of new IT rules
  
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  Satire in India: A Controversy or Humour Infused Introspection?
  
  March 30, 2024
  
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  OTT Regulations: How Satire can be controlled on Digital Content
  
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  History of Satire in India: Role in the Freedom Struggle and Since
  
  March 23, 2024
  
  No longer funny in India: Censorship against Satire
  
  The Power of Laughter: How Satire Challenges Authority and Why It’s Under Attack in India
  
  March 17, 2024
  
  No longer funny in India: Censorship against Satire
  
  Satire Beyond Borders : Exploring the Challenges faced by Indian Comedians in the Global Digital Space
  
  March 13, 2024
  
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  Meme Culture and Censorship: Investigating the Tug-of-War Between Memes, Satire, and Censorial Restrictions
  
  March 10, 2024
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Nagarkirtan and Its Relevance to Society

Culture

Nagarkirtan and Its Relevance to Society

Srija Dutta -

June 28, 2022